(continued from part seven)
Eight
Sympathy For the Devil
"You didn't really think that I was going to argue against Crouch's last scene being a redemption scene, did you?" asks Elkins, helping Eileen to haul the overturned CRAB CUSTARD table back up onto its legs. Now that there is clean up to be done, Cindy has absented herself. Ever since this past summer, she has been decidedly hesitant whenever it comes to helping to clean up wreckage. Something about a Portkey, and the Safe House.
Eileen lets go of her end of the table, steps back a few paces, and surveys the damage, scowling.
"You did so argue," she says.
"Well...yes, okay, I did, but only because I could. I mean, you know that I can never resist an opportunity to show off like that. But I didn't actually go through with it, did I? I let the angels have him, in the end."
Elkins stoops down and begins picking up the scattered cups of CRAB CUSTARD, one by one.
"Although, you know," she adds, smiling slightly. "It does seem to me that those angels might just have to wait a little while..."
Eileen's brow furrows, then clears. Her eyes light up.
"Point Nine of the CRAB CUSTARD manifesto!" she exclaims.
9. J.K. Rowling said that it's the unhappy people who come back as ghosts. I can't think of a person in all the books who dies more unhappily than Crouch Sr.
"I've been plugging for months for Barty Crouch Sr. to return as a ghost," she says. "No-one in canon dies a death quite as unhappy as he does, and it could tie in quite nicely to our dodgy auror subplot."
She frowns suddenly. "Unless of course the dodgy auror subplot exists only in our feverish brains..."
"O, ye of little faith!" exclaims Elkins. "Why, of course there's going to be a dodgy auror subplot coming our way! It's practically a canonical inevitability at this point in the game! But even leaving aside those Bad Bad Aurors, I do think that Crouch as future canonical ghost makes quite a bit of sense. He seems like a prime candidate to me. And not just because he dies unhappily."
"You mean also because he died at the hands of his son?" asks Eileen. "Parricide is a pretty big taboo. That's got to count for something."
"Well, maybe it does. Maybe it does. Mainly, though, I was thinking...well, isn't there a tradition about people coming back as ghosts when they die with unfinished business on their hands? When you look at the ghosts that we've already seen so far in canon, a lot of them do seem to have some pretty evident, er, unresolved issues. In fact, just as I've been typing this, Shane Dunphy has posted a truly spectacular thing on that aspect of Myrtle's character. It's message #47531."
"Is that the one about Myrtle being trapped in an, uh, anal stage of development?" asks Eileen, frowning. "That's Freudian or something, isn't it? I never really understand all that Freudian stuff."
"Well, you don't really have to accept the Freud to see that she's trapped in an arrested state of development," says Elkins. "She's an adolescent voyeur. We're told that she was confined to Hogwarts because she had been haunting her old school tormentor, Olive Hornby. Refusal to forgive old adolescent grudges really does seem to be a recurring motif in these novels. And then there's Nick, who was never fully beheaded. And the Baron's all covered with that silver blood, which so many people have suggested could be unicorn blood..."
"What about the Fat Friar? Or the Gray Lady?"
"We've barely even seen the Gray Lady. And the Fat Friar might well have some unresolved issue that we just haven't learned about yet. At any rate," adds Elkins quickly, noticing Eileen's hand reaching for a Yellow Flag. "I still think that there's a pattern here."
"What about Binns?"
"He was eagerly awaiting his pension when he died?"
Eileen looks at her.
"Oh, all right," sighs Elkins. "I don't know. But the way that Crouch died really does seem to me to make him classic revenant fodder. He died desperately trying to convey a vitally important message. A message that never got through. If anyone died with some pretty serious unfinished business on their hands, I'd say that it was Crouch. For that matter," she adds. "His son is sort of unfinished business too, when you think about it."
"Also," Eileen reminds her. "He received a most improper burial."
"Transfigured into a bone and then buried in unconsecrated ground by his murderer?" Elkins thinks about it for a moment. "Yeah," she agrees. "That's pretty improper, all right."
"And in Hagrid's garden," points out Eileen. "Right on the borders of the Forbidden Forest. Just think what the Forbidden Forest did to the Anglia!"
"Oh, good point! Not to mention whatever Hagrid slips in his compost to make those pumpkins grow so big. And then, also, he died while under the Imperius Curse, which is a form of magical compulsion. His will was still partially bound to anothers when he died. Really, he just seems an absolutely perfect candidate to me. Or he would, except for this one little thing..."
Eileen frowns. "What?" she asks.
"Well, the basis for Crouch-as-Ghost is really that interview, isn't it? The one in which JKR seems to be promising a ghost subplot in a future volume?
"You're not about to tell me that the Intentional Fallacy Is Not Fair Play and renders my theory non-canonical, are you?"
"No, no. Of course not. We don't say things like that around here. No, it's just...well, it seems to me that Crouch would indeed be the front-runner for our future canonical ghost if only that subplot had been promised for the next volume. But if you actually go and look at the original interview itself...well..."
Q: What makes some witches/wizards become ghosts after they die and some not?
JKR: You don't really find that out until Book VII, but I can say that the happiest people do not become ghosts.
(link)
"Oh." says Eileen. "Book Seven."
"Yeah. Which does somehow make it seem less likely to me that it's going to be Crouch. Because...well, Book Seven is rather a long way away, isn't it? The fact that JKR's talking Book Seven makes me think that it's actually far more likely to be, well, Snape than it is a Book Four character like Barty Crouch."
There is an unhappy silence.
"Oh, never mind," sighs Elkins. "I'm not giving up on Ghost!Crouch that easily. I'm just not. He's too perfect. Besides, JKR only said that the readers weren't going find out what makes people become ghosts until Book Seven. She didn't say that there wouldn't be any new ghost characters before then, did she? And besides, Ghost!Crouch is just too good to pass up. Because you know, he could serve a really interesting plot function if he were to come back as a ghost."
"You mean there's Bang?" asks Eileen. "Should we tell Cindy?"
"No, we'd best not. It's really only a Humpty-Dumptied Bang, and we probably shouldn't encourage her in those. Well...unless you think that he wasn't redeemed in death, I suppose. Then I guess it could be Bangy. You see, I just keep wondering...well, Crouch died while still under the Imperius Curse. So does that mean that Voldemort might still be able to command him? Even from beyond the grave? Yet another faithful servant at Hogwarts?"
"Elkins!" cries Eileen. "That's just horrible! What is wrong with you?"
"Well, what do you think. Could he?"
"You still haven't made your peace with poor old Crouch, have you? You just don't want to let the poor man find any peace at all. Not even in death."
"Hey, you're the one who brought Ghost!Crouch into this. I'm just taking your ball and running with it, that's all. See, the thing is that Crouch didn't really die free of the Imperius, did he? Unless he had some breakthrough in his very last moments, he was still under it. When Harry shakes off the Imperius, it's just gone. When Crouch Jr. finally breaks free of it completely, he describes it as being himself as he hasn't been in years. But even before that happened, he was still capable of small acts of rebellion. He was able to steal Harry's wand before the sound of those DEs acted like cold water on him. So I think that's about where Crouch Sr. was. He wasn't clear of it. He was just fighting it. Wasn't that what accounted for his apparent madness?"
"Oh, is that what you thought it was?" asks Eileen. "I thought..." Her voice trails away.
"What?"
"Well, er, have you ever wondered what Voldemort did to Crouch in the little time he had him at his disposal? Imperius isn't the Unforgivable Curse that is known to leave people insane, you know."
Elkins stares at her. She puts the plastic spoons that she has been gathering up from the pavement down in a neat little pile at her side, and sits back hard on her heels.
"Do you know," she says slowly. "I have never even thought about that? Not even once. What sort of a morbid imagination have I, anyway? I should turn in my FEATHERBOAS this very minute. You've a very nasty little mind, Eileen."
"I know," Eileen says shyly.
"That's a spectacularly sick line of speculation. But I wouldn't be so sure about the Imperius not driving people insane, if I were you. So far in canon to date, we've only seen two people other than Harry, who is some sort of weird freakish savant, struggle free of the Imperius by their own force of will. They're both named Bartemius Crouch. And neither of them seems to have gained much in the way of sanity by it. And besides," adds Elkins, smiling. "You really do want to be careful with that logic, you know."
"I do?"
"Oh, yes. You really do. Because, you see, Crouch Jr. was mad as a hatter, and he'd been his father's prisoner for the past ten years. You know, Cindy once told me that if Crouch Jr. were her son, she'd have, uh, 'taken him to the woodshed.' I'm not altogether certain what that phrase means, but I believe that it has something to do with corporal punishment. Sort of like 'taking someone out behind the chemical sheds,' I guess. But far less permanent. Have you ever wondered if Crouch punished his son for that little outburst at the QWC? He must have been absolutely furious with him, I should think. And Winky wasn't around to calm him down anymore."
"I don't think that Crouch would ever have practiced Cruciatus on his son," says Eileen firmly.
"No," agrees Elkins, rather surprisingly. "I don't either. I think that he probably would have balked at that. Voldemort, on the other hand..." She sighs. "Oh, Eileen. I really wish that you hadn't brought that up. Crouch was ill-treated, all right."
"It is a not-so-pleasant topic of speculation, isn't it?" says Eileen, just a trifle smugly. "I told you that the punishment exceeded the crime."
"No, no." Elkins shakes her head. "No, you don't...it's even worse than you think. Crouch was definitely ill-treated. But not just because Voldemort is a sadist. Also because...well, his plan really did rely on Crouch Jr. for quite a lot, didn't it? It relied on him to act with a good deal of autonomy, under no supervision whatsoever. It relied on him to be not only competent, but extremely loyal. Voldemort's not usually too trusting of his DEs, is he? And really, why on earth should he be? Unless you go in for a Magic Dishwasher approach, they're treacherous scum. At the beginning of GoF, Voldemort suggests that Pettigrew is planning on scarpering on him. He is resolutely unimpressed with his DEs' protestations of loyalty in the graveyard. Yet he really does seem awfully convinced of Crouch's loyalty. Why? After all, given Crouch Jr's situation when Voldemort liberated him from his father's Imperius Curse, he was naturally going to pay lip service to Voldemort no matter what his actual degree of loyalty. He would have been crazy not to. Yet Voldemort truly does seem to trust him. So what convinced him that Crouch Jr. really was so utterly and unquestioningly devoted to his service?"
"I did try to warn you that this was a not-so-pleasant topic of speculation, Elkins," says Eileen, smiling. "You can't really imagine that I haven't already been here myself, can you? Why didn't you just listen to me when I told you that it didn't bear thinking about?"
"I can't help it," moans Elkins. "Whenever somebody advises me not to think about something, I always find that I can think of nothing else. That's the real reason I liked Denethor so much, you see. It was that Palantir. I'd never be able to resist staring into one of those things. Especially if I knew that it could take me to a Bad Place." She sighs. "Yeah, Crouch Jr. had his father screaming and writhing down there on the floor, all right," she concludes. "Ugh. And I'll bet that he really enjoyed it, too. 'You are not my father. I have no father.' Tit for tat, you know. Barty Jr. really did enjoy tit for tat."
"And this is a character you identify with."
"Yeah, I know. It's just awful, isn't it? But I can't help it." Elkins shakes her head firmly. "All right," she says. "That's quite enough of that, I think. I think that it's time to put that entire line of speculation safely away in the little box where I keep all of the things about these books that I prefer not to dwell on. You know, like where precisely that Ugly Baby body of Voldemort's came from in the first place. Or that potion in Moste Potente Potions, the one that turns people inside out. Or—"
"Or Crouch Jr. getting the Dementor's Kiss?" Eileen asks, with an exceptionally twisted smile.
"Oh, don't." Elkins shudders. "You know that I can't even stand to imagine that."
"Well, I have a similar reaction to Crouch Sr's death," says Eileen. "Have you ever tried to imagine the final scene between him and his son? I always back away from it. I have tried to convince myself that it was done quickly, and that Crouch didn't realize what was happening, that he was fluently conversing with Weatherby at the time. But I can't really believe that. And I don't want to think about what really happened."
"I know what you mean." Elkins lowers her voice. "In fact," she says. "I'll let you in on a little secret here, Eileen. I've never liked imagining the man's death either."
"What? But I thought that you loved the idea of Crouch Jr. kicking around his poor old father. I thought that sort of thing made you cackle with malicious glee!"
"Well, usually it does. But not there. I mean, the poor man's already broken, isn't he? That takes all the fun out of it, somehow. Nah, I always find myself hoping that Barty Jr. just, er, well, you know. Took him from behind. Quickly. And didn't feel the need to go making some big production number out of it or anything."
"You do remember who we're talking about here."
"Yeah." Elkins sighs. "Sadly, I do. And it really is rather hard to imagine that he wouldn't have wanted to spit out at least one 'sic semper tyrannis,' isn't it? Or to look into his father's eyes while he did it? Like Brutus and his sons, you know." She smiles faintly. "Just like staring into a mirror."
"You really are a rather disturbing person, Elkins. Do you know that?"
"But all the same," Elkins says quickly. "I think that he would have done it fast. He was in a hurry, after all. He wouldn't have wanted to risk getting caught. And he knew that Harry was going to be returning at any moment with Dumbledore. He was actually there in his Invisibility Cloak, watching the entirety of that conversation between his father and Harry and Krum, so he would have known that he hadn't any time to waste."
"That's true," agrees Eileen slowly.
"Also, the forest was just swarming with red herrings that night, wasn't it? Ludo Bagman was bopping around somewhere, and Madame Maxine's carriage wasn't too far away, and on top of all of that, he had just come across two students out there in the woods. How could he know how many other random people might come wandering by at any moment? I mean, from his perspective, it must have seemed like Grand Central Station out there, don't you think? Rather surreal, really. Almost farcical. And very nerve-wracking, I'm sure.
"So I feel convinced that he did it quickly and cleanly," Elkins concludes. "I just can't imagine that he would have wanted to waste any time, or been willing to risk any unwanted attention. I mean, he wouldn't have wanted there to be any screaming, you know, or any broken weeping, or any horrified pleading, or—"
"Do you mind?"
"Oh." Elkins blinks. "Sorry. Sorry about that, Eileen. Sorry. I just mean, you know, that he wouldn't have wanted there to be any noise. That's all. And also..." She takes a deep breath. "Also," she says, with a faint air of finality. "I don't think that he really wanted to do it."
"Oh, now, you DO remember who we're talking about here!"
"Yes, I do. We're talking about someone who in many ways is portrayed as a walking manifestation of the law of the mirror: the law of Nemesis. In some respects, he's almost like a personification of Turnabout itself. He has a very strongly developed, if also totally twisted, sense of justice. He was so absolutely infuriated by the sight of all of those smug successful DEs at the QWC that it enabled him to overcome the Imperius Curse completely for the first time in over a decade. He goes out of his way to treat his father's corpse to this sort of weirdly metaphoric variation on the theme of how his father treated his mother's body -- and by extension, his own. He nearly gives himself away with his rather excessive reaction to Draco Malfoy's unfair duelling tactics. He's just dying to learn that Voldemort punished the unfaithful at his rebirthing. In his confession, he takes particular pleasure in remembering his father being placed under the Imperius Curse. Turnabout. Tit for tat. That's what young Crouch enjoyed. Even that sense of irony of his I tend to see as related to a kind of twisted sense of justice. Dramatic irony and Nemesis are very strongly related concepts. Crouch Jr's sense of justice may have been downright weird, but it still seems to me to have been one of his more predominant characteristics."
"Elkins, you've just suggested yourself that the evil little monster not only tortured his father for Voldemort's amusement, but also that he enjoyed it!"
"Oh, but that's completely different, Eileen!" Elkins stares at her. "That's not the same thing at all. You see, that," she explains. "Was Fair Play."
"Fair PLAY?"
"Sure. His father tortured him, didn't he? Threw him to the dementors. Tried to brainwash him. Not to mention whatever 'taking him to the woodshed' might ever have happened. So that makes it turnabout. Tit for tat -- plus a good bit of interest. Perfectly fair play, according to Crouch Jr's standards."
"But—"
"He liked seeing his father enslaved, as he himself had been enslaved. He liked seeing his father helpless and subject at the hands of his enemies, as he himself had been helpless and subject at the hands of his enemies. He liked seeing his father suffer, as he himself had been made to suffer. I think that he probably even liked making his father suffer, even to the extent of the Cruciatus. But did he really like the idea of his father actually being killed?"
Elkins shakes her head. "I don't know if I really think that he did," she says. "Because you see, no matter what else Crouch Sr. may have done to his son, he did preserve his life."
"But surely he must have realized that Voldemort was going to murder his father eventually," says Eileen.
"Yeah, one would think. Although young Barty...well, he wasn't really altogether attuned to reality, was he? At the end of his confession, he's retreated into this pathetic little fantasy that Voldemort is going to come along and save him, and then he'll be sitting at his right hand, honored above all other Death Eaters. I mean, let's face it. The poor lad was schizoid. He wasn't precisely a realist."
"I think you're whitewashing," says Eileen flatly.
"Whitewashing? I've admitted that I think he got a kick out of Crucio'ing his poor old Dad, haven't I? I'm not whitewashing him. He wasn't a nice fellow. But I see plenty of indications in the text that parricide did not agree with him at all. We actually see him right after he's done it, you know. When he stomps up to Dumbledore and Harry, who are dealing with the stunned Krum, it's got to be only minutes after he's killed his father. And he seems to be in a right foul mood. He masks it by complaining about his leg. 'Furiously.' That's partly to cover for his absence, obviously, but my feeling is that he's drawing off of that emotion from somewhere. Crouch does seem to have been rather a method actor. I don't believe there is anywhere in the canon where we see Crouch/Moody showing strong emotion when Crouch does not himself have reasons to be feeling strongly emotional about something."
"Perhaps," says Eileen. "But the strong emotion that he was drawing off of could have been vindictive satisfaction. Or fear about the possibility of getting caught. Or—"
"He looks like hell the next morning," says Elkins. "When Harry, Ron and Hermione seek him out, the next day. He really doesn't look too good at all. He's exhausted, he's twitchy, he's utterly on edge..."
"That could just be because he had been out all night long, pretending to be looking for his father. And because he had a close shave, which got him a little stressed. And because he now knows that Dumbledore knows that his father had been trying to convey an important message, so he's quite reasonably fearful that Dumbledore might figure it all out. Especially if Harry tells Dumbledore that his father kept mentioning him while he was raving."
"Perhaps."
"He's certainly not feeling guilty enough to refrain from delivering one of his horrible Crouchisms," points out Eileen. "'Now, Dumbledore's told me you three fancy yourselves as investigators, but there's nothing you can do for Crouch.' Now isn't that charming. It's...Elkins, you're grinning. Stop it."
"Sorry." Elkins attempts to reconfigure her expression to one of gravity. "Sorry, Eileen. Sorry. Okay, yeah. He delivers a Crouchism. But he still doesn't look so hot to me. JKR really seems to be going out of her way in that scene to describe him as exhausted and stressed. There's even that bit where it looks as if he's very nearly slipped up on remembering to take his potion:
'He looked as tired as they felt. The eyelid of his normal eye was drooping, giving his face an even more lopsided appearance than usual.'
And then, almost immediately thereafter, he's chugging from his hip flask. Do you think he was actually starting to transform there? Right in front of students? That's really careless for Crouch. My feeling has always been that that's a sign that he's starting to slip. I don't get the impresssion that he was at all pleased about having been called upon to murder his father."
"He boasts about it, Elkins," says Eileen. "He brags of it to Harry."
"Yes, he does. 'And both of us had the pleasure...the very great pleasure... of killing our fathers to ensure the continued rise of the Dark Order!' What gives with those ellipses? With the repetition, the added emphasis? Doesn't that sound rather like he's protesting a bit too much?"
"You are whitewashing."
"No, I'm not. In Part Five I went over some of the ways in which Crouch Jr. seems to be rationalizing in his confession. Why would he feel the need to rationalize at all, if he didn't feel at least some degree of ambivalence over what he had done? And it's not the only thing about his confession that implies that parricide was not really to his tastes either." Elkins rises to her feet and walks over to her satchel. She bends down, rummages through it, and pulls out her copy of 'Sympathy For the Devil: Veritaserum, A Close Reading.' Eileen groans and rolls her eyes.
"Oh, not this again!" she complains. "Elkins, you can't really tell a thing from that confession. On the meta-level, that entire scene is engineered by the author to provide plot exposition for the reader. And on the level of the fictive reality, he's speaking under compulsion. Furthermore, the veritaserum is dulling his affect..."
"It is compelling him, and it is dulling his affect," Elkins agrees. "But that doesn't prevent him from expressing himself emotionally, nor from volunteering information that is not demanded of him. And JKR does use the confession to elucidate his character and motivations, as well as to explain the plot. She uses it for that a great deal. Just about everything that we know about his motivations or his character comes from the confession scene, and most of it is actually not offered in direct response to Dumbledore's questions. I think that if JKR had wanted to show Barty Jr. as an eager parricide, then she would have written this scene very differently.
"Just look."
=================================
While Crouch Jr's testimony in the 'Veritaserum' chapter is indeed largely a matter of plot exposition, I think that we can deduce quite a bit from it about his character and motives as well. For one thing, it is clear from his testimony that he is, in fact, capable of quite a bit of digression. He is also capable of emotional, subjective, and non-factual testimony.
This is how Crouch Jr describes his experience at the QWC. The "question" which he is answering in this passage is: "Tell me about the Quidditch World Cup."
'Then we heard them. We heard the Death Eaters. The ones who had never been to Azkaban. The ones who had never suffered for my master. They had turned their backs on him. They were not enslaved, as I was. They were free to seek him, but they did not. They were merely making sport of Muggles. The sound of their voices awoke me. My mind was clearer than it had been in years. I was angry. I had the wand.'
Okay. His affect is certainly deadened, although I've never been altogether clear on whether that's really completely due to the Veritaserum, or whether it's also due to the fact that he's finally slipped his very last mooring. I rather suspect that it's a bit of both. Whatever the cause, though, it doesn't prevent him either from volunteering information or from showing insight. Dumbledore did not ask him to explain his motives for behaving as he did at the QWC. He did not ask him about the wand. He did not ask him about breaking free of the Imperius Curse. Crouch Jr. is volunteering all of that information, based on his own interpretion of what about the QWC is important, relevant, or of interest. And given the emotional nature of the above passage, I think that it is also clear that to a certain extent, he is choosing to focus on what about this event was of importance to him.
This is really not factual testimony. It's not a 'just the facts, ma'am' account. It is subjective, emotional, and personal.
Nor is Crouch Jr. completely deadened in affect, although he is extremely dissociated. He's not exactly a zombie. He is capable of emotional responses, albeit of a rather disturbing sort.
'My father answered the door.'
The smile spread wider ver Crouch's face, as though recalling the sweetest memory of his life. Winky's petrified brown eyes were visible through her fingers. She seemed too appalled to speak.
''It was very quick. My father was placed under the Imperius Curse by my master. Now my father was the one imprisoned, controlled.'
That's what Veritaserum'd!Barty looks like when he's enjoying the memory of a bit of payback on dear old Dad, yes? He's not so far gone that he can't display emotion, albeit of a rather mad sort, at the memory of vengeance. And he doesn't lack insight so utterly as to be incapable of explaining the extent to which his pleasure at this memory derives from Turnabout-Is-Fair-Playdom either. He may have bats in his belfry, but he is perfectly emotionally comprehensible. He can explain his motives, and he seems often to be interested in doing so, even when it is not technically required of him. He does so at times quite eloquently, in fact: "It was my dream, my greatest ambition, to serve him, to prove myself to him."
But this is all that he has to say about his act of parricide:
'My master sent me word of my father's escape. He told me to stop him at all costs. So I waited and watched. I used the map...'
[There then follows some discussion of the Map, and then:]
'For a week I waited for my father to arrive at Hogwarts. At last, one evening, the map showed my father entering the grounds. I pulled on my Invisibility Cloak and went down to meet him. He was walking around the edge of the forest. Then Potter came, and Krum. I waited. I could not hurt Potter; my master needed him. Potter ran to get Dumbledore. I Stunned Krum. I killed my father.'
And that's it. There's no editorial commentary there. No mad grin. No gloating. No description of his feelings about this turn of events. Nothing. It's a very stark series of statements of fact, and it is nothing at all like the way he speaks of recovering his own volition after a decade under the Imperius, or of firing the Dark Mark into the sky at the QWC, or of watching Voldemort overpower his father.
Dumbledore then gives him an opening to elaborate on the parricide if he so chooses. "You killed your father?"
Crouch Jr. says absolutely nothing in response to this, although he does answer the next question about what he did with the body: "Carried it into the forest. Covered it with the Invisibility Cloak."
We're back to choppy sentences and 'just the facts' here, although Crouch is in fact not incapable of a far more eloquent mode of diction. He will prove this with the very last line of his confession: "My master's plan worked. He is returned to power and I will be honored by him beyond the dreams of wizards."
Even at the very end, his diction is not so degraded that he cannot manage that sentence. But when asked about the disposal of his father's body, incomplete and choppy sentences are all he has to offer.
Crouch Jr. does not speak of murdering his father in at all the same way that he speaks of either his acts of anger or of payback events that he actually took pleasure in. He shows no signs of enjoyment at the memory, nor any inclination to elaborate upon the event any further than he absolutely must do to satisfy his interrogator. While he may imply to Harry that he considered it an act of homage to Voldemort, when he is actually under the Veritaserum and therefore compelled to speak the truth, the only motive that he offers is that he was under direct orders to see it done "at all costs." He is not even willing to confess to it a second time: he does not assent when Dumbledore asks for confirmation that he killed his father. His diction degenerates into choppy broken sentences when he is forced to discuss it. Compare his diction here with his diction when he speaks of topics on which he does seem proud of his actions and eager to communicate his motives: his devotion to Voldemort, his fury with the disloyal DES at the QWC. Compare his affect here with his affect when he speaks of Voldemort's arrival at his father's home.
All of this leads me to conclude that Crouch really didn't enjoy killing his father at all. He was clearly willing to do it. But I don't think that he was at all happy about it.
===============================
"There, now," says Elkins soothingly. "You see, Eileen? My Crouch Jr. apologetics aren't really all that bad, are they? That one can give you a fast and painless death for poor Barty."
"They're pure sophistry, Elkins."
"Nonsense. It's all right there in the text. Here." Elkins pulls a leaflet entitled 'Barty Crouch Jr: Unwilling Parricide' out of her satchel and hands to to Eileen. "You can keep that one," she says, generously. "No charge."
"I found the 'he wouldn't have wanted to risk any unnecessary noise' argument much more convincing."
"Yes, well." Elkins frowns. "You would, wouldn't you. At any rate, it's really not Crouch's death that makes me pity him. I'm pretty well convinced that was relatively fast and painless. It's his life. What were you saying about the last months of his life before? Er...leaving aside the more unsavory speculations, if you would?"
"I said that he spent the last months of his life physically and spiritually alone," says Eileen. "Tormented by his own choices."
"Yes. But really, it had been going on longer than that, hadn't it? At least a decade. Ever since his wife died and he rescued his son. I mean, really, when you think about it, what sort of a life could the poor man have possibly had? He did not encourage familiarity from his associates, to say the least. He seems to have had no intimates, and no real friends. The nature of the secret that he was keeping would have prevented him from forging any new associations. He would have wanted to keep people at a distance, and certainly away from his house. Bertha Jorkins came by when he wasn't home, and I don't get the impression that this was a common occurrence, people dropping by old Crouch's house to say hello and have a cup of tea. Certainly Winky doesn't seem to have had the slightest idea how to handle the situation properly. Jorkins was probably the first visitor they'd had in years. And his son wouldn't have been very good company for him, I wouldn't think. Not under the Imperius Curse. Even assuming that Crouch had wanted to deal with his son on any normal or personable level, which I don't believe for a second that he did. You see, that's another problem with trying to make the world into your hall of mirrors. It gets lonely.
"And that's where I see the punishment exceeding the crime, frankly," concludes Elkins. "Solitude may be in some sense a just punishment for a solipsist. But ten years of having no one to talk to is really more than anyone deserves."
"Well," Eileen points out. "He did have Winky."
"Yes." Elkins smiles slowly. "He had Winky." She glances up at the subject line emblazoned across the sky above Theory Bay and shakes her head.
"Well," she says. "My, my, my. Would you just look at that."
"What?"
"I do believe that we're going to need a second prefix up there."
"Elkins!" gasps Eileen. "You're not!"
Elkins grins evilly.
"Oooooh, yes I am," she says.
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Elkins
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This post is continued from part seven. It cites or references message numbers 37476, 45402, 46468, 47531.